Archive: PASSIONATE COLORATURA
Grafenegg Wolkenturm
That goosebump feeling: Carolyn Sampson on the tracks of a prima donna.
© Marco Borggreve
© Lorenzo Franzi
© Cyrille Guir
ANTONIO VIVALDI
Concerto for two violins and strings in A major, RV 519 («L'estro armonico», op. 3 No. 5)
«Che giova il sospirar, povero core» - Cantata RV 679 for soprano and instruments
ALESSANDRO SCARLATTI
Concerto grosso in F minor No. 1
DOMENICO SARRO
Rosmira arias from «Partenope»
GEORG FRIEDRICH HÄNDEL
Concerto grosso in F major op. 6/2 HWV 320
Rossane arias from «Alessandro»
Suite for Trumpet and Orchestra in D major
JOHANN ADOLPH HASSE
Cleofide aria from «La Cleofide»
Concerto de' Cavalieri · Marcello Di Lisa · Carolyn Sampson
When Faustina Bordoni took to the stage, the audience could hardly contain themselves. Today she’s considered the most important female vocalist of the first half of the 18th century. Her repertoire encompassed over 100 operas and numerous works by Johann Adolf Hasse – to whom she was also married – and George Frideric Handel. Equipped with her own immense voice, Carolyn Sampson comes to Grafenegg to follow in her footsteps to the baroque strongholds of Venice, Naples, London and Dresden. She’s accompanied by the Concerto de’ Cavalieri, currently one of Europe’s most exciting original-sound ensembles.
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